The Man in the Mirror

A harshly brilliant take on the symbolism of Michael Jackson's demise at Clusterfuck Nation:

Like the USA, Michael Jackson was a has-been. He hadn't recorded a song worth listening to in over two decades. He had done almost nothing but spin his wheels, hop around the globe from one place to another at enormous expense, and make himself available for award ceremonies to stoke his ego (and give advertisers a reason to promote some televised award show). He existed strictly on image, an anorectic figure nourished by moonbeams of attention, famous for saying that he loved his worshippers when the truth was he merely sucked the life out of them. In his last years, he even looked a bit like Nosferatu, the personification of the un-dead, and his fascination with ghouls was the basis for his biggest hit way back in the last century. A zombie nation deserves a zombie mascot.
He was a poseur, vamping in weird military outfits as though he were a five-star general in the Honduran army, or a character from a melodrama by the reprobate Jean Genet. He once materialized during halftime at the Superbowl in a shower of sparks, thrilling the multitudes while grabbing and stroking his sex organs, as though that was a heroic activity -- and indeed the nation seemed to emulate him as its culture became dedicated more and more to acting out masturbation fantasies. America was a fat man jerking off on the sofa watching a vampire of no particular sex vogue deliriously on the boob tube.

Like I said, harsh, but brilliant, the way the sunlight at midday can pummel you with clarity. Kunstler's essay finishes with a bang:

When he dropped dead last week, the nation's morbidly maudlin response suggested a cover story for the relief of being rid of him and all the embarrassment he provoked. One CNN reporter called him a genius the equal of Mozart. That's a little like calling Rachel Maddow the reincarnation of Eleanor Roosevelt. A nation addicted to lying to itself tells itself fairy tales instead of facing a pathology report. Yet, like Michael Jackson, the undertone of horror story still pulses darkly in the background. The little boy who grew up to be the simulation of a girl was really a werewolf. The nation that defeated manifest evil in World War Two woke up one day years later to find itself stripped of its manhood, mentally enslaved to cheap entertainments, and hostage to its own grandiosity. Maybe in grieving so exorbitantly over this freak America is grieving for itself. All the loose talk about "love" from the media and the fans gives off the odor of self-love. America is "the man in the mirror," the gigantic, floundering Narcissus, sailing into the stormy seas of history.